The Rorschach Test. Critical Analysis ★★★★★ LOS ANGELES / NEW YORK CITY The Macoproject Film Festival






Thank you so much The Macoproject Film Festival for this well written film analysis! You who live in Sweden have the opportunity to see the film The Rorschach Test at Bian in Elslöv now on Thursday the 31th October at 19:00 where also some of Lena Mattsson's other short films are presented by ARTiE.
The Rorschach Test
Critical Analysis
★★★★★
LOS ANGELES / NEW YORK CITY
The Rorschach Test, crafted by Lena Mattsson, is a mesmerizing foray into the realm of human perception and the elusive boundaries between sanity and madness. As I delved into this short film, I found myself constantly oscillating between admiration and contemplation, grappling with the nuanced and deeply poetic layers Mattsson has woven into her narrative. The film, though brief at just over eight minutes, is a profound exploration of what it means to perceive and interpret reality, all while challenging conventional notions of normalcy. From the outset, The Rorschach Test captivates with its stark black-and-white cinematography, which serves as a powerful canvas for the unfolding drama. The visual choice not only evokes a sense of timelessness but also amplifies the film’s exploration of psychological depth and emotional resonance.
The young woman who becomes the central focus of the film is depicted in various states of movement and reflection—her actions imbued with a haunting sense of ambiguity. We see her in a sunlit garden, on a roof, and engaging in seemingly mundane tasks, yet each frame feels charged with hidden meanings and unspoken questions. One of the most compelling aspects of Mattsson’s work is the way it invites viewers to grapple with the question of what constitutes normality.
The film’s title, referencing the Rorschach inkblot test, sets the stage for this inquiry. Just as the inkblots are designed to elicit personal interpretations, the sequences in The Rorschach Test encourage us to project our own meanings and biases onto the images.
The woman’s various interactions—with her environment, with us as viewers, and with her own internal state—become a mirror reflecting our own psychological landscapes. Is she merely moving through a garden, or is she enacting a deeper struggle with her sense of self? What does her gaze convey about her internal state and our own perception of normalcy?
The juxtaposition of light and shadow in the film underscores this exploration. The interplay of these elements creates a visual tension that parallels the thematic tension between reality and perception. Mattsson’s use of lighting, combined with the film’s sharp black-and-white imagery, heightens the sense of duality and ambiguity. The sunlit scenes are both illuminating and obscuring, suggesting that clarity and confusion are often interwoven in our understanding of reality.
The recurring motif of the umbrella and the roof serves as potent symbols in this narrative. The umbrella, often a symbol of protection or concealment, might represent the woman's attempt to shield herself from the uncertainties of her existence. The roof, on the other hand, signifies both a vantage point and a potential barrier, suggesting the dual nature of perspective—how elevated views can both clarify and isolate. These symbols contribute to the film’s exploration of how individuals navigate their internal and external worlds.
Mattsson’s film also engages with deeper psychological themes, particularly the notion of self-examination and the quest for meaning. The woman’s shifting expressions—her smiles, her worries—evoke a sense of personal conflict and introspection. These moments of emotional fluctuation mirror the process of self-discovery and the struggle to reconcile one’s inner turmoil with external realities. The absence of a clear narrative resolution reinforces the idea that some questions about our identity and perception may remain unanswered, emphasizing the film’s role as a reflective and evocative experience rather than a definitive statement. In conclusion, The Rorschach Test is a masterful exploration of perception, normalcy, and the elusive nature of self-knowledge.
Lena Mattsson’s artistic vision, underscored by her evocative use of imagery and symbolism, challenges viewers to confront their own interpretations of reality. The film’s rich visual language and its open-ended narrative encourage a deep engagement with the psychological and existential questions it poses. Through its poetic and introspective approach, Mattsson invites us to question what we see and what it reveals about ourselves, making The Rorschach Test a compelling and thought-provoking piece of cinema.
LOS ANGELES / NEW YORK CITY



Special thanks to ARTiE, Bella J Tinghammar, Dan Jönsson.
The actor in the film Ebba Melber and Conny Malmqvist who created the music for the film The Rorschach Test by Lena Mattsson.